PCs:Bavou B. Faost: Difference between revisions
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'''Noticeable are several ill-fitting Tattoos. Some are artsy, others just plain, simple and badly done. . . . .'''<br> | '''Noticeable are several ill-fitting Tattoos. Some are artsy, colorful, others just plain, simple and badly done. . . . .'''<br> | ||
*<font color="#FFFFFF">''Succubi Pin-Up's on the inside of each his Forearms.''</font><br> | *<font color="#FFFFFF">''Succubi Pin-Up's on the inside of each his Forearms.''</font><br> | ||
*<font color="#FFFFFF">''Various Glyphs on his Fingers.''</font><br> | *<font color="#FFFFFF">''Various Glyphs on his Fingers.''</font><br> | ||
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*<font color="#FFFFFF"> ''Red Lips that have formed to kiss the lower right side of his neck.''</font><br> | *<font color="#FFFFFF"> ''Red Lips that have formed to kiss the lower right side of his neck.''</font><br> | ||
*<font color="#FFFFFF"> ''Filligree Waves & peculiar Symbols with the occasional Spiral on his thighs.''</font><br> | *<font color="#FFFFFF"> ''Filligree Waves & peculiar Symbols with the occasional Spiral on his thighs.''</font><br> | ||
*<font color="#FFFFFF"> ''The Portrait of a mysterious | *<font color="#FFFFFF"> ''The elaborate Portrait of a mysterious Woman on his Right upper Arm.''</font><br> | ||
*<font color="#FFFFFF"> ''An imperfect motif of a Harp | *<font color="#FFFFFF"> ''A Skull on his left upper arm.''</font><br> | ||
*<font color="#FFFFFF"> '' | *<font color="#FFFFFF"> ''An imperfect motif of a Harp behind his Ear.''</font><br> | ||
*<font color="#FFFFFF"> ''Stirges on his chest.''</font><br> | |||
'''. . . . .Many other unusual, asymmetrical Tattoos covering most of his pale, gray skin. . . . .'''<br> | '''. . . . .Many other unusual, asymmetrical Tattoos covering most of his pale, gray skin. . . . .'''<br> |
Revision as of 15:16, 31 August 2009
Noticeable are several ill-fitting Tattoos. Some are artsy, colorful, others just plain, simple and badly done. . . . .
. . . . .Many other unusual, asymmetrical Tattoos covering most of his pale, gray skin. . . . . |